Eldbjørg Hemsing
& Norwegian String Quartet
Colors of Bach
Date and venue: Tuesday 2 June 2026 in Håkonshallen.
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A kaleidoscope of contemporary arrangements of Bach’s best tunes for violin, string quartet, piano and harpsichord.
The music of Johann Sebastian Bach is somehow irrepressible. It hasn’t just survived three centuries, it has leaped and bounded over them, inspiring musicians of countless genres along the way.
Eldbjørg Hemsing has long felt the allure of Bach’s ever-relevant music. For her new project Colors of Bach, she has taken some of the composer’s most famous pieces and reworked them in new arrangements. The result, she says, makes Bach’s music ‘shine…in new instrumental colors.’
Together with the Norwegian String Quartet and a group of renowned arrangers – Tim Allhoff, Jan-Peter Klöpfel and Jarkko Riihimäki – Hemsing has retouched Bach’s music in versions ranging from the flamboyant to the minimalist, many of them tinged with the sound of Norwegian folksong and even with a nod to Cyndi Lauper.
Using the composer's chorales, organ works (including the first of the Eight Short Preludes and Fugues, whose authorship is disputed), piano pieces and violin sonatas, Hemsing and her fellow musicians open up new perspectives on the work of a treasured composer, letting Bach’s genius shine even brighter.
This festive performance at Håkonshallen follows the release of the Colors of Bach album.
Image on top: Eldbjørg Hemsing. Photo: Gregor Hohenberg
“His music is layered and intricate that every listen feels like turning a kaleidoscope, discovering new shapes and colors. And, the more music I listen to, the more I realize that he’s everywhere” – Eldbjørg Hemsing on Bach
Eldbjørg Hemsing violin
Norwegian String Quartet
Johann Sebastian Bach (1685–1750)
From Partita no. 3 in E major, BWV 1006
1. Prelude
From Cantata Jesus nahm zu sich die Zwölfe, BWV 22
1. Arioso and chorus Jesus nahm zu sich die Zwölfe und sprach
From Prelude and Fugue in C major, BWV 846
1. Prelude / Ave Maria (Charles Gounod, 1818–1893)
Minuet in G major by Christian Petzold (1677–1733) formerly attributed to Johann Sebastian Bach as BWV Anhang 114
From Violin Concerto in A Minor, BWV 1041
2. Andante
Concerto for Violin and Oboe in C minor, BWV 1060R
3. Allegro
From Cantata Herz und Mund und Tat und Leben, BWV 147
6. Wohl mir, dass ich Jesum habe
From Orchestral Suite no. 3 in D major, BWV 1068
2. Air (on the G string)
Brandenburg Concerto no. 1 in F major, BWV 1046
1. Allegro non troppo
Ich steh an deiner Krippen hier, song, BWV 469
Goldberg Variations, BWV 988
Aria
From 8 Short Preludes and Fugues, BWV 553–560
1. Prelude in C major
From Christmas Oratorio, BWV 248
Nun freut euch, lieben Christen g’mein, choral movement
Invention no. 8 in F major, BWV 779
Organ Sonata no. 4 in E minor, BWV 528
2. Andante
From St Matthew Passion, BWV 244
Chorale: Befiehl du deine Wege
Aria: Erbarme dich
Ich ruf zu dir, Herr Jesu Christ, chorale prelude, BWV 639
From Concerto in D minor, BWV 974 (after Oboe Concerto in D minor, S.Z799, by Alessandro Marcello)
3. Presto
Violin Concerto no. 2 in E Major, BWV 1042
1. Allegro
2. Adagio
3. Allegro assai
From Cantata Widerstehe doch der Sünde, BWV 54
1. Aria (alto): Widerstehe doch der Sünde
2. Recitativo (alto): Die Art verruchter Sünden
3. Aria (alto): Wer Sünde tut, der ist vom Teufel